AudioVisual Data in DH
Edited by Taylor Arnold, Jasmijn van Gorp, Stefania Scagliola, and Lauren Tilton
Introduction: Special Issue on AudioVisual Data in DH- Taylor Arnold
- Stefania Scagliola
- Lauren Tilton
- Jasmijn Van Gorp
EN
This is the introduction to the special issue on AudioVisual data in DH.
Exploring Film Language with a Digital Analysis Tool: the Case of Kinolab- Allison Cooper
- Fernando Nascimento
- David Francis
EN
This article presents a case study of Kinolab, a digital platform for the analysis of narrative film language.
Audiovisualities out of Annotation: Three Case Studies in Teaching Digital Annotation with Mediate- Joel Burges
- Solvegia Armoskaite
- Tiamat Fox
- Darren Mueller
- Joshua Romphf
- Emily Sherwood
- Madeline Ullrich
EN
This article describes Mediate: An Annotation Tool for Audiovisual Media, developed at the University of Rochester, and emphasizes the platform as a source for the understanding of film, television, poetry, pop songs, live performance, music, and advertising as shown in three cases studies from film and media studies, music history, and linguistics.
The Media Ecology Project: Collaborative DH Synergies to Produce New Research in Visual Culture HistoryEN
This essay details the development and current NEH-funded research goals of The Media Ecology Project (MEP), directed by Prof. Mark Williams and designed by Dr. John Bell at Dartmouth.
Audiated Annotation from the Middle Ages to the Open Web- Tanya E. Clement
- Liz Fischer
EN
This short article introduces audiation as an alternate theoretical framing for articulating the significance of personal literary annotations.
Healing the Gap: Digital Humanities Methods for the Virtual Reunification of Split Media and Paper Collections- Stephanie Sapienza
- Eric Hoyt
- Matt St. John
- Ed Summers
- JJ Bersch
EN
This paper introduces and unpacks several challenges faced by stewards who work with audiovisual resources, departing from the premise that audiovisual resources are undervalued and underutilized as primary source materials for scholarship and therefore receive less attention in the sphere of digital humanities.
PodcastRE Analytics: Using RSS to Study the Cultures and Norms of Podcasting- Eric Hoyt
- J.J. Bersch
- Susan Noh
- Samuel Hansen
- Jacob Mertens
- Jeremy Wade Morris
EN
We share three different methods for studying RSS feeds and podcast metadata: 1) visualizing how topics and keywords trend over time; 2) visualizing networks of common associated keywords entered by podcasters; and 3) analyzing norms and common practices for the duration of podcasts (as a time-based media format, podcasting is unusual in that it is not bound by the programming schedules and technical limitations that provide strict parameters for most audiovisual forms).
Transdisciplinary Analysis of a Corpus of French Newsreels: The ANTRACT Project- Jean Carrive
- Abdelkrim Beloued
- Pascale Goetschel
- Serge Heiden
- Antoine Laurent
- Pasquale Lisena
- Franck Mazuet
- Sylvain Meignier
- Bénédicte Pincemin
- Géraldine Poels
- Raphaël Troncy
EN
The ANTRACT project is a cross-disciplinary apparatus dedicated to the analysis of the French newsreel company Les Actualités Françaises (1945-1969) and its film productions.
Topological properties of music collaboration networks: The case of Jazz and Hip Hop- Lukas Gienapp
- Clara Kruckenberg
- Manuel Burghardt
EN
We propose a generalizable approach to studying the topological properties of music collaboration networks within and between genres that relies on data from the freely available Discogs database.
Afrofuturist Intellectual Mixtapes: A Classroom Case Study- Tyechia L. Thompson
- Dashiel Carrera
EN
This article is a classroom case study of the Intellectual Mixtape Project, an AudioVisual digital humanities module.
Annotating our Environs with the Sound and Sight of Numbers: The DataScapes Project- John Bonnett
- Joe Bolton
- William Ralph
- Amy Legault
- Erin MacAfee
- Michael Winter
- Chris Jaques
- Mark Anderson
EN
The DataScapes Project is an exploration of how Augmented Reality objects can be used as constituents for Landscape Architecture.
What Does A Photograph Sound Like? Digital Image Sonification As Synesthetic AudioVisual Digital HumanitiesEN
I investigate how digital image sonification amplifies issues of gender, power, embodiment, spectacle, performance, hierarchy, and performance in a photograph of Joan Baez` performing at the Greek Amphitheater in Berkeley, California, during the early 1960s.
From close listening to distant listening: Developing tools for Speech-Music discrimination of Danish music radio- Iben Have
- Kenneth Enevoldsen
EN
This article investigates the research question: How has the distribution of music and talk on the Danish Broadcasting Corporation’s radio channel P3 developed 1989-2019 by comparing a qualitative case study with a new large-scale study.
Hearing Change in the Chocolate City: Computational Methods for Listening to GentrificationEN
This article uses ethnography and computational soundscape to listen to processes of gentrification in Washington, DC.
Advances in Digital Music Iconography: Benchmarking the detection of musical instruments in unrestricted, non-photorealistic images from the artistic domain- Matthia Sabatelli
- Nikolay Banar
- Marie Cocriamont
- Eva Coudyzer
- Karine Lasaracina
- Walter Daelemans
- Pierre Geurts
- Mike Kestemont
EN
In this paper, we present MINERVA, the first benchmark dataset for the detection of musical instruments in non-photorealistic, unrestricted image collections from the realm of the visual arts.
Music Theory, the Missing Link Between Music-Related Big Data and Artificial Intelligence- Jeffrey A. T. Lupker
- William J. Turkel
EN
This paper examines musical artificial intelligence (AI) algorithms that can not only learn from big data, but learn in ways that would be familiar to a musician or music theorist.
Comparative K-Pop Choreography Analysis through Deep-Learning Pose Estimation across a Large Video Corpus- Peter Broadwell
- Timothy R. Tangherlini
EN
In this paper, we describe the considerations and choices made in the process of applying deep learning-based posed detection to a large corpus of K-pop music videos, and present the analytical methods we developed while focusing on a smaller subset of dance practice videos.
Moving Cinematic History: Filmic Analysis through Performative Research- Jenny Oyallon-Koloski
- Dora Valkanova
- Michael J. Junokas
- Kayt MacMaster
- Sarah Marks Mininsohn
EN
We argue for the value of motion capture-driven research that moves audiovisual analysis in a performative direction to integrate the dancer/researcher into the cinematic space.
Towards a User-Friendly Tool for Automated Sign Annotation: Identification and Annotation of Time Slots, Number of Hands, and Handshape- Manolis Fragkiadakis
- Victoria Nyst
- Peter van der Putten
EN
The aim of this project is to develop a set of tools to assist the annotation of the signs and their formal features in a video irrespectively of its content and quality.
Books Aren't Dead: Resurrecting Audio Technology and Feminist Digital Humanities Approaches to Publication and Authorship- Emily Edwards
- Robin Hershkowitz
EN
This article explores how the podcast medium as a form of audio technology has facilitated the reimagining of academic publication and feminist praxis.
Another Type of Human Narrative: Visualizing Movement Histories Through Motion Capture Data and Virtual RealityEN
In this article I propose that motion capture (mocap) and virtual reality (VR) technology can be used to record and visualize movement histories as a supplement to oral histories or for when a memory is based in a embodied experience.
Deformin' in the Rain: How (and Why) to Break a Classic FilmEN
Following upon the strain of digital humanities practice that Mark Sample terms the deformed humanities, this essay subjects a single film to a series of deformations: the classic musical Singin' in the Rain.
Book Review: Digital Sound Studies (2018)EN
A book review of the edited volume Digital Sound Studies.