• John Cayley

• code studies
• reading
• sound
• linguistics

A code-critical close reading of two works by Daniel C. Howe.

• Marit J. MacArthur
• Lee M. Miller

• linguistics
• performance
• tools
• sound
• data visualization

• Poetry
• Poet Voice
• Phonetic linguistics

This article provides a critical narrative of our research in applying, developing and refining tools for the analysis of pitch and timing patterns in recorded performances of literary texts.

• Sara Diamond

• archives
• project management
• data curation
• access
• project report
• visual art
• sound
• indigenous
• media history

• project resiliency
• Banff New Media Institute
• Daniel Langlois Foundation
• Crista Dahl Library and Archive
• Sara Diamond Fonds

Disappearing archives

• Bryan M. Jenkins
• Taryn K. Myers

• race
• media studies
• sound
• social justice

This study places Black podcasting within the context of more traditional forms of Black media to examine the themes of community-building, resistance, and voice.

• Christian Howard-Sukhil
• Samantha Wallace
• Ankita Chakrabarti

• project report
• public history
• dh
• publishing
• sound

Argues for the academic value of the podcast as a non-traditional research methodology

• Hanna Musiol

• pedagogy
• interdisciplinarity
• visual art
• ethics
• sound

This article examines the overlapping characteristics of Digital and Environmental Humanities.

• John Bonnett
• Joe Bolton
• William Ralph
• Amy Legault
• Erin MacAfee
• Michael Winter
• Chris Jaques
• Mark Anderson

• ar
• digitization
• sound
• performance

The DataScapes Project is an exploration of how Augmented Reality objects can be used as constituents for Landscape Architecture.

• Tanya E. Clement
• Liz Fischer

• music
• annotation
• access
• sound
• cultural criticism

This short article introduces audiation as an alternate theoretical framing for articulating the significance of personal literary annotations.

• Joel Burges
• Solvegia Armoskaite
• Tiamat Fox
• Darren Mueller
• Joshua Romphf
• Emily Sherwood
• Madeline Ullrich

• annotation
• tools
• moving images
• media studies
• project report
• users
• sound

This article describes Mediate: An Annotation Tool for Audiovisual Media, developed at the University of Rochester, and emphasizes the platform as a source for the understanding of film, television, poetry, pop songs, live performance, music, and advertising as shown in three cases studies from film and media studies, music history, and linguistics.

• Tracey El Hajj

• dh
• sound
• access
• pedagogy

A book review of the edited volume Digital Sound Studies.

• Jason Mittell

• moving images
• images
• cultural criticism
• digitization
• sound
• visual art

Following upon the strain of digital humanities practice that Mark Sample terms the deformed humanities, this essay subjects a single film to a series of deformations: the classic musical Singin' in the Rain.

• Stefania Scagliola

• moving images
• sound
• dh
• media studies
• images

This is an interview on the founding of the ADHO AVinDH Special Interest Group.

• Alison Martin

• race
• social justice
• geospatial
• sound
• history
• public history
• anthropology

This article uses ethnography and computational soundscape to listen to processes of gentrification in Washington, DC.

• Taylor Arnold
• Stefania Scagliola
• Lauren Tilton
• Jasmijn Van Gorp

• images
• dh
• media studies
• moving images
• sound
• visual art
• philosophy

This is the introduction to the special issue on AudioVisual data in DH.

• Michael J. Kramer

• images
• digitization
• interdisciplinarity
• sound
• gender

I investigate how digital image sonification amplifies issues of gender, power, embodiment, spectacle, performance, hierarchy, and performance in a photograph of Joan Baez` performing at the Greek Amphitheater in Berkeley, California, during the early 1960s.

• Agata Hołobut
• Jan Rybicki

• moving images
• content analysis
• stylistics
• nlp
• sound
• data analytics

Examines quantitative methods for anlayzing film dialogue