• Jennifer W. Kyker

• music
• oral history
• cultural heritage
• access

• African studies
• Zimbabwe
• Mbira

Sekuru's Stories is a co-authored digital humanities project that contributes toward the decoloniality of knowledge through the music and oral histories of Zimbabwean mbira player Sekuru Tute Chigamba.

• Andrew A. Cashner

• access
• editing
• markup
• minimal computing
• music
• tools
• users

• music notation
• open-source software
• free software
• minimal computing
• semantic markup
• conversion and exchange
• musicology
• publishing
• editing
• music encoding
• workflow

Lilypond music-notation software as a case study: how to make open-source tools work for us.

• Matthia Sabatelli
• Nikolay Banar
• Marie Cocriamont
• Eva Coudyzer
• Karine Lasaracina
• Walter Daelemans
• Pierre Geurts
• Mike Kestemont

• tools
• music
• images
• machine learning
• visual art

In this paper, we present MINERVA, the first benchmark dataset for the detection of musical instruments in non-photorealistic, unrestricted image collections from the realm of the visual arts.

• Tyechia L. Thompson
• Dashiel Carrera

• pedagogy
• music
• project report
• race

This article is a classroom case study of the Intellectual Mixtape Project, an AudioVisual digital humanities module.

• Tanya E. Clement
• Liz Fischer

• music
• annotation
• access
• sound
• cultural criticism

This short article introduces audiation as an alternate theoretical framing for articulating the significance of personal literary annotations.

• Iben Have
• Kenneth Enevoldsen

• music
• digitization
• history
• machine learning

This article investigates the research question: How has the distribution of music and talk on the Danish Broadcasting Corporation’s radio channel P3 developed 1989-2019 by comparing a qualitative case study with a new large-scale study.

• Jeffrey A. T. Lupker
• William J. Turkel

• music
• machine learning

This paper examines musical artificial intelligence (AI) algorithms that can not only learn from big data, but learn in ways that would be familiar to a musician or music theorist.

• Lukas Gienapp
• Clara Kruckenberg
• Manuel Burghardt

• music
• collaboration
• music
• network

We propose a generalizable approach to studying the topological properties of music collaboration networks within and between genres that relies on data from the freely available Discogs database.

• Peter Meindertsma

• music
• history
• area studies
• digital libraries
• nlp
• data analytics

• Billboard
• charts
• lyrics
• popular music
• cultural diversity

Billboard Hot 100 decreases in quantitative and lyrical diversity between 1956 and 2016.

• Timothy C. Duguid
• Maristella Feustle
• Francesca Giannetti
• Elizabeth Grumbach

• tools
• music
• history
• project report
• information retrieval

• digital musicology
• aggregation
• born-digital
• descriptive metadata
• digital peer review

We propose that by leveraging the connections between digital music resources and digital humanities research technologies, MuSO will facilitate new research that expands the musicological discipline.