• Edward Larkey

• moving images
• cultural criticism
• history
• area studies
• annotation

A comparison of the Quebec sitcom Un Gars, Une Fille ("A Guy and a Girl") to its German remake using Adobe Premiere Pro annotation software and in the context of post-WWII emotional repression.

• Joel Burges
• Solvegia Armoskaite
• Tiamat Fox
• Darren Mueller
• Joshua Romphf
• Emily Sherwood
• Madeline Ullrich

• annotation
• tools
• moving images
• media studies
• project report
• users
• sound

This article describes Mediate: An Annotation Tool for Audiovisual Media, developed at the University of Rochester, and emphasizes the platform as a source for the understanding of film, television, poetry, pop songs, live performance, music, and advertising as shown in three cases studies from film and media studies, music history, and linguistics.

• Peter Broadwell
• Timothy R. Tangherlini

• machine learning
• content analysis
• performance
• moving images
• area studies

In this paper, we describe the considerations and choices made in the process of applying deep learning-based posed detection to a large corpus of K-pop music videos, and present the analytical methods we developed while focusing on a smaller subset of dance practice videos.

• Jason Mittell

• moving images
• images
• cultural criticism
• digitization
• sound
• visual art

Following upon the strain of digital humanities practice that Mark Sample terms the deformed humanities, this essay subjects a single film to a series of deformations: the classic musical Singin' in the Rain.

• Allison Cooper
• Fernando Nascimento
• David Francis

• project report
• moving images
• databases
• annotation
• access
• semantic web

This article presents a case study of Kinolab, a digital platform for the analysis of narrative film language.

• Stefania Scagliola

• moving images
• sound
• dh
• media studies
• images

This is an interview on the founding of the ADHO AVinDH Special Interest Group.

• Taylor Arnold
• Stefania Scagliola
• Lauren Tilton
• Jasmijn Van Gorp

• images
• dh
• media studies
• moving images
• sound
• visual art
• philosophy

This is the introduction to the special issue on AudioVisual data in DH.

• Jenny Oyallon-Koloski
• Dora Valkanova
• Michael J. Junokas
• Kayt MacMaster
• Sarah Marks Mininsohn

• images
• tools
• moving images
• performance

We argue for the value of motion capture-driven research that moves audiovisual analysis in a performative direction to integrate the dancer/researcher into the cinematic space.

• Jean Carrive
• Abdelkrim Beloued
• Pascale Goetschel
• Serge Heiden
• Antoine Laurent
• Pasquale Lisena
• Franck Mazuet
• Sylvain Meignier
• Bénédicte Pincemin
• Géraldine Poels
• Raphaël Troncy

• moving images
• history
• project report
• tools
• archives
• semantic web

The ANTRACT project is a cross-disciplinary apparatus dedicated to the analysis of the French newsreel company Les Actualités Françaises (1945-1969) and its film productions.

• Kader Pustu-Iren
• Julian Sittel
• Roman Mauer
• Oksana Bulgakowa
• Ralph Ewerth

• moving images
• content analysis
• tools
• annotation

Reviews literature on automated video analysis and suggests requirements for software that supports the needs of film studies scholars

• Eef Masson
• Christian Gosvig Olesen
• Nanne van Noord
• Giovanna Fossati

• moving images
• digitization
• archives
• information retrieval
• images

Discusses the Sensory Moving Image Archive project and its use of computer vision and feature extraction in video analysis

• Manuel Burghardt
• Adelheid Heftberger
• Johannes Pause
• Niels-Oliver Walkowski
• Matthias Zeppelzauer

• images
• moving images
• pedagogy
• glam
• archives
• information retrieval
• media studies

Introduction to Film Studies Special Issue

• Jan-Hendrik Bakels
• Matthias Grotkopp
• Thomas Scherer
• Jasper Stratil

• moving images
• annotation
• data visualization
• history
• reading

Examines challenges inherent in applying computational methods to qualitative analyses of audiovisual media

• Barbara Flueckiger
• Gaudenz Halter

• moving images
• tools
• data visualization
• annotation
• collaboration
• cs

Examines the aesthetics, technology, and narratology of film colors through the FilmColors research project

• Eva Hielscher

• moving images
• history
• tools
• annotation
• corpora

Examines the the methodology and use of digital tooles such as ELAN, Cinemetrics, and ImageJ in studying 1920/30s city symphony films

• Agata Hołobut
• Jan Rybicki

• moving images
• content analysis
• stylistics
• nlp
• sound
• data analytics

Examines quantitative methods for anlayzing film dialogue

• Joanna Byszuk

• moving images
• stylistics
• data analytics
• reading
• network
• gender

Uses stylometic methods to examine driving developments in the long-running television show Doctor Who

• Sarah-Mai Dang

• moving images
• history
• gender
• databases
• data curation
• information retrieval

• digital database
• film history
• feminist theory
• early cinema

Discusses the role of feminist film historiography in constructing film databases

• Cristina Migliaccio

• web
• moving images
• globalDH
• dh
• cultural heritage

This article explores how usages of Neapolitan-Italian language on YouTube might counter the linguistic and cultural subordination of Neapolitans.