tags
The case of the golden background, a virtual restoration and a physical reconstruction of the medieval Crucifixion of the Lindau Master (c. 1425)
  • Liselore Tissen
  • Sanne Frequin
  • Ruben Wiersma
  • digitization
  • history
  • images
  • visual art

    This paper presents a methodological solution of approaching the problem of restoring the medieval Crucifixion of the Lindau Master (c. 1425) by combining the knowledge of art historians, restorers and by integrating modern 3D technologies before, during, and after the restoration.

    EN
    The Page Is an Image Again: Bleedmapping as an Analysis Technique for Historical Newspapers
    • Quintus van Galen
    • images
    • digitization
    • history
    • media history

      Analysis of historical periodicals through digital tools is still a predominantly text-based field. This paper seeks to expand the toolbox of researchers of these sources, and addresses the observed capability gap, by proposing a new technique for the discovery of appearance patterns in historical newspaper collections.

      EN
      Advances in Digital Music Iconography: Benchmarking the detection of musical instruments in unrestricted, non-photorealistic images from the artistic domain
      • Matthia Sabatelli
      • Nikolay Banar
      • Marie Cocriamont
      • Eva Coudyzer
      • Karine Lasaracina
      • Walter Daelemans
      • Pierre Geurts
      • Mike Kestemont
      • tools
      • music
      • images
      • machine learning
      • visual art

        In this paper, we present MINERVA, the first benchmark dataset for the detection of musical instruments in non-photorealistic, unrestricted image collections from the realm of the visual arts.

        EN
        Deformin' in the Rain: How (and Why) to Break a Classic Film
        • Jason Mittell
        • moving images
        • images
        • cultural criticism
        • digitization
        • sound
        • visual art

          Following upon the strain of digital humanities practice that Mark Sample terms the deformed humanities, this essay subjects a single film to a series of deformations: the classic musical Singin' in the Rain.

          EN
          Moving Cinematic History: Filmic Analysis through Performative Research
          • Jenny Oyallon-Koloski
          • Dora Valkanova
          • Michael J. Junokas
          • Kayt MacMaster
          • Sarah Marks Mininsohn
          • images
          • tools
          • moving images
          • performance

            We argue for the value of motion capture-driven research that moves audiovisual analysis in a performative direction to integrate the dancer/researcher into the cinematic space.

            EN